We are now on the island of Lanzarote, in the red circle on this map. It also shows our next planned hops to Las Palmas and then Santa Cruz, where will will sit for 3 months before heading west across the Atlantic Ocean, closing the loop on our long, slow circumnavigation.

We picked up a crew member while still in La Linea. Bastian has an interesting story, starting with his departure, just in his swim trunks, from his small town in Germany. He speaks German, Spanish and English. For his project RESET, he has set goals of skydiving (done), sailing to the Canary Islands (underway) and seeing the Northern Lights in Norway (his next step).

After a four day motor sail in very light winds, we made landfall at Puerto Calero Marina on the island of Lanzarote in the Canary Islands. While underway, Bastian keeps a close eye on our mainsail.

Lanzarote is the fourth-largest island in the archipelago and home to over 163,000 residents, with its capital city, Arrecife, anchoring the eastern coast. Roughly 24.5% of the permanent population consists of foreign residents, with the largest communities arriving from Colombia, the United Kingdom, and Italy. Because of its unique, delicate ecosystem and commitment to sustainable development, the entire island was designated a UNESCO Biosphere Reserve in 1993.
This is proof positive there there are trees on the island!

After arrival, I changed the engine oil, but strangely, the engine did not want to start. It was obviously an electrical issue of some kind and I traced it to the start relay. I simply took the relay out, cleaned the contacts, and covered them in a carbon paste. The engine then started up fine.

The island is globally renowned for its dramatic, otherworldly volcanic topography, which resembles a lunar landscape. This distinct appearance was largely shaped by a series of catastrophic volcanic eruptions between 1730 and 1736 that blanketed nearly a third of the island in lava and black ash.



Today, this geological legacy is preserved within Timanfaya National Park, where visitors can explore multi-coloured lava fields and craters that still emit immense underground geothermal heat. Despite the arid terrain and minimal rainfall, local farmers have developed an ingenious architectural method of digging semi-circular stone holes in the volcanic ash to cultivate vibrant vineyards, most notably in the famous La Geria wine-growing region.

Lanzarote’s modern identity and aesthetic appeal are deeply intertwined with the legacy of the local artist and architect César Manrique, who successfully advocated for strict environmental and building regulations to prevent unchecked mass tourism. Thanks to his vision, this island of over 300 volcanoes maintains a cohesive visual style characterized by low-rise, whitewashed houses accented with uniform green, blue, or brown shutters and doors. Manrique seamlessly integrated art with the island’s natural features to create iconic cultural spaces like Jameos del Agua—a restaurant and concert hall built inside a volcanic cave network—and the spectacular Mirador del Río panoramic viewpoint. This harmonious blend of striking nature, historical architecture, and year-round spring-like weather makes Lanzarote a premier destination for travellers, hikers, and water sports enthusiasts alike.
We visited the afore mentioned Jameos del Agua – a famous volcanic cave and cultural centre. The site was transformed by César Manrique in the 1960s and 1970s to blend nature with art. The cavern is part of a 6-kilometer-long lava tube formed thousands of years ago by the Volcán de la Corona. It features a natural underground salt lake connected to the Atlantic Ocean. This underground lake is home to Munidopsis polymorpha, a tiny, rare, blind, white crab species endemic exclusively to this cave.


We also drove to the Jardín de Cactus, a former quarry for volcanic material transformed into a garden where thousands of cacti from five continents occupy terraces that preserve the shape of the excavation. Prickly pear cacti and cochineal production link the Centre to the area’s agricultural history. It was quite an interesting place to visit.




We also visited the Salinas de Janubio salt flats. In 1730, lava from volcano eruptions formed the walls of a natural lagoon creating a lake from the captured seawater. The salt flats were then first created in 1895 by an entrepreneur. The waters from the naturally formed lagoon are pumped up to terraces, initially using wind power, but nowadays – using electric pumps. The water is simply evaporated by the sun to yield the salt. Up to 2,000-15,000 tons of salt per year can be extracted from the salt flats.

The salt that came from the salt flats has been used to preserve fish, and to make dyes that local artists use, especially for decorations used in the annual Corpus Christi festival. A number of migratory birds visit the salt flats, including pink flamingos that visit in June, July and August.
We also visited the César Manrique House Museum, located in a handsome palm grove, where the artist found the quiet and harmony with nature that he had always pursued. In early 1986, he began to build his new home, re-using and adapting a run-down farmhouse sited on farmland he had purchased in the nineteen seventies. Manrique revisited the language of traditional architecture with a modern vision governed by aesthetics and comfort. He lived here until his death in 1992. In 2013 the house was opened to the public as a home and museum. Visitors are afforded a view of the rooms and the studio where the painter worked and lived during the last few years of his life.

His studio is in a separate building where he painted daily, surrounded by oils, tables laden with drawings, easels and unfinished paintings. It has been conserved just as he left it when he died.

In the national volcano park, we walked in (over a very rough path) to see one of the calderas formed during the last eruptions in 1730-1736. Here, Diane is standing just at the entrance, and then we took a selfie.



On the way back out, we met a Spanish speaking couple walking with their dog, a traditional Canary Islands hunting dog. The Canary Islands, by the way, got their name NOT from Canary birds, but from the latin word for dogs – a large number of which were found by newly arriving settlers (there were indigenous people living there as well).

Bastian is enthralled with our can crusher!

These are typical views of Lanzarote, with white, low profile villages and stone walls made out of lava rock.




This post would be inadequate if I did not mention the significance of Picón (also called rofe), a small porous, black or red volcanic lapilli or gravel left by the 18th-century eruptions on Lanzarote. It acts as a natural sponge, absorbing humidity, morning dew, and the island’s rare rainfall, then slowly releasing it into the soil below. The gravel layer blocks the sun from baking the underlying earth, keeping moisture trapped in a very dry climate. It stops weeds from taking root and shields the topsoil from being blown away by strong Atlantic winds. It warms up during the daytime sun and holds onto that heat to protect plant roots at night.
Here in Lanzarote, we reunited with our friends Paul and Andy Atkinson, whom we first met in Bonaire circa 2014, again in Curacao, and again in NZ. We followed similar paths westward with them onboard their Jeanneau 57 TALULAH RUBY III and us aboard JOANA. They have actually circumnavigated twice, both times starting and finishing with Lanzarote. We have a great deal of respect for these two friends.













































































































































